This work is the result of extensive research and experimentation conducted by Hagino during his studies in Germany. He created a technique named 'multiple spatial perspective' in order to confront the difficult problems of 'perceptual cognition in the human brain, which is continuously layered and complemented in fragments' and 'the establishment of a new expression in the spatial representation of painting'. This is based on the brain science-based concept that the perceived spatial perception in the human brain is folded and filtered by emotions, memories and knowledge, and aims at a complex mixture of perspective from different periods in Western and Asian art. He succeeded in this seemingly impossible task by using intricate screen divisions and multiple layers of translucent materials.

The innermost layer, or the first layer, is painted in space on canvas or other surface using mainly oil paints, while the second layer is a thin layer of translucent wax, silicone or synthetic resin, which covers the entire canvas The trees, which are already painted with complex and divergent back and forth relationships and perspectives at the first layer, are perceived by the viewer By starting from the second layer as if to complete the painting from scratch again, the already complex perspective is made more complex and a departure from the usual spatial representation of paintings is attempted.
Due to the thickness of the material (5 mm - 1 cm), the paint and lines on the second layer cast a faint shadow on the first layer. The matiere and shadows physically created on the screen have a very significant visual effect. The back and forth relationship with the first layer is further complicated by the transmission of the second layer of oil paint, thinned with turpentine oil.